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Ima jedna višestruko zanimljiva “meta” scena u šestoj epizodi nove hororske serije Mikea Flanagana “Pad kuće Usher”/”The Fall Of The House Of Usher”, snimljene prema djelima Edgara Allana Poea i nastale u produkciji Netflixa koji ju je tempirao za premijeru pred Noć vještica.

Lenore Usher (Kyliegh Curran) i njezina majka Morella (Crystal Balint), koja se oporavlja od opeklina iz druge epizode, završavaju gledanje filma. To je je horor “Bunar i klatno” iz 1961., adaptacija Poeove priče s Vincentom Priceom u glavnoj ulozi.

Nikad više

“Dobro, što sad? Još jedan film ili serija?”, pita Lenore. “Film”, odgovara Morella. “Može, to te ja pitam”, kaže Lenor, a kamera snimi Netflixov izbornik u čijoj u ponudi nalazi i film “Geraldova igra” iz 2017. godine. Naime, “Gerald’s Game” je bio prvi Flanaganov projekt za Netflix u kojem su glumili Carla Gugino i Bruce Greenwood, glavni glumci iz “Pada kuće Usher”.

Pozivanje na taj film je simbolično u seriji koja predstavlja posljednji Flanaganov projekt za Netflix prije angažmana za konkurentski Amazon. Između “Gerald’s Game” i “The Fall Of The House Of Usher” Flanagan je snimio četiri serije neravnomjerne kvalitete za Netflix, “Prokletstvo kuće Hill”, “Prokletstvo imanja Bly”, “Ponoćnu misu” i “Ponoćni klub”.

Osim što je u toj sceni zaokružio suradnju s Netflixom, Flanagan kao da je i autorefleksivan kad majka radije odabere film nego seriju, svjestan da je njegova filmska niska (“Ogledalo smrti”, “Prizivanje duhova: Porijeklo zla”, “Somnia”, “Doktor Sleep”) ujednačenija od serijske, što “Pad kuće Usher” samo još više potencira.

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Supplied By Lmk/Landmark/Profimedia/Supplied By Lmk/landmark/profimedia
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Serija “The Haunting Of Hill House” bila je odlična i nešto ponajbolje što je iznjedrio jedan od vodećih horor filmaša današnjice. “The Haunting Of Bly Manor” je, iako podcijenjen, korak natrag u odnosu na nju, da bi “Midnight Mass” većim dijelom Flanagana vratio u formu, a onda je uslijedilo pokliznuće s “The Midnight Club”.

Nažalost, “The Fall Of The House Of Usher” je drugo uzastopno Flanaganovo razočaranje ako se pita potpisnika ovih redaka. Možda “Pad kuće Usher” nije najgora Flanaganova serija (prije bi to bio “Ponoćni klub”), ali je svakako najrazvučenija i najdosadnija, prenapučena likovima i podzapletima, limunada bez okusa, šušta i gušta.

Razvučenost je bila česta mana prijašnjih Flanaganovih serija, a osmodijelni “The Fall Of The House Of Usher” gubi momentum prije nego što ga je uopće uspio stvoriti i Flanagan je komotno mogao izbaciti barem dvije-tri epizode, od četvrte do šeste, koje prenaprežu 493-minutno trajanje, kao i prošlosni segment priče s flešbekovima na likove u mladim danima (glume ih Zach Gilford, Willa Fitzgerald, Katie Parker, Lulu Wilson...).

Inicijalna ideja je interesantna, postmoderno i reinterpretativno pospojiti mnoga Poeova hororska djela u jednu cjelinu (“Maska crvene smrti”, “Gavran”, “Umorstva u Ulici Morgue”, “Crna mačka”...), s naglaskom na “Pad kuće Usher” kao kičmu osuvremenjene priče o duhovima prošlosti nemilosrdnog vlasnika velike farmaceutske kompanije Rodericka (Greenwood).

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Zgodno je vidjeti da se Gavranovo “Never more” preselilo u poruke na mobitelu ispisane modernim internetskim rječnikom od “nikad više” do “nikad vše, nkadviš, nikdvše, nkdviše”, no horor se ovdje nalazi u tragovima i rijetke scene izazivaju istinsku pozornost, kao recimo sekencija partyja pod maskama koja uključuje prskalice s kiselinom.

Monolog o limunu

“The Fall Of The House Of Usher” više je kvazi-hororski odgovor na obiteljsko-dramsku seriju “Succession” o moći i izdaji, moralno bankrotiranim likovima i društvu, provučenu kroz Poeov rukopis, s Roderickom kao svojevrsnim “usherovskim” Loganom Royem i mnogim likovima u redu za njegovo nasljedstvo.

Zanimljivo, “Nasljeđe” se metafilmski ne spominje, ali spomenuta je serija “Narcos” (“briljantna”). Razlika je što Usheri nisu intrigantni kao Royevi, tj. ova serija ima nezanimljive aktere, uz povremene bljeskove likova u tumačenju Gugino, Marka Hamilla i Katie Siegel. Povremeno bljesne i Flanagan s dijalozima ili monolozima, poput onoga Roderickovog na temu “kad ti život da limune...” kojeg vrijedi prenijeti u cijelosti za kraj teksta.

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Supplied By Lmk/Imago Stock&people/Profimedia/Supplied By Lmk/imago Stock&people/profimedia
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“Prvo, pokrenete multimedijsku kampanju kako biste uvjerili ljude da je limuna nevjerojatno malo, što funkcionira samo ako gomilate limune, kontrolirate opskrbu, a zatim... Medijski udar. Limun je jedini način da kažete ‘Volim te’, nezaobilazan dodatak za zaruke ili godišnjice. Ruže su ‘out’, limuni su ‘in’.

Plakati na kojima piše da se neće seksati s tobom ako nemaš limuna. Ograničeno izdanje limun narukvica, žuti dijamanti zvani limun kapljice. Natjerali ste Apple da svoj novi operativni sustav nazove OS-Lemon. Napučite Kapitol s limun lobistima; natjeraš Kardashianku da sisa krišku limuna na procurjeloj snimci seksa. Timothée Chalamet nosi cipele boje limuna u Cannesu.

Nabavite hashtag kampanju. Nešto nije ‘kul’ ili ‘strašno’. Ne, to je ‘limun’. ‘Jesi li gledao taj film?’, ‘Jesi li išao na taj koncert? Bio je jebeni limun.’ Billie Eilish, ‘OMG, hashtag… limun.’ Dobili ste od dr. Oza da vam preporuči četiri limuna dnevno i dodatak limuna u obliku čepića da se riješite toksina jer nema ništa strašnije od toksina.

Zatim patentirate sjeme. Napišete redak genetskog koda koji čini da limun malo više izgleda kao sise... i dobijete patent gena za sekvencu DNK sisa-limun, dobijete te sjemenke kruže u divljini, a onda tužite farmere za kršenje autorskih prava kada se taj genetski kod pojavi na njihovoj zemlji. Zavalite se, zgrabite milijune, a onda, kad završite i prodate svoj ‘lem-pire’ za nekoliko milijardi dolara, tada, i tek tada, napravite jebenu limunadu.”

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SERIJA: The Fall Of The House Of Usher; horor drama; SAD, 2023. KREATOR: Mike Flanagan ULOGE: Carla Gugino, Bruce Greenwood OCJENA: ** ½

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Ima jedna višestruko zanimljiva “meta” scena u šestoj epizodi nove hororske serije Mikea Flanagana “Pad kuće Usher”/”The Fall Of The House Of Usher”, snimljene prema djelima Edgara Allana Poea i nastale u produkciji Netflixa koji ju je tempirao za premijeru pred Noć vještica.

Lenore Usher (Kyliegh Curran) i njezina majka Morella (Crystal Balint), koja se oporavlja od opeklina iz druge epizode, završavaju gledanje filma. To je je horor “Bunar i klatno” iz 1961., adaptacija Poeove priče s Vincentom Priceom u glavnoj ulozi.

Nikad više

“Dobro, što sad? Još jedan film ili serija?”, pita Lenore. “Film”, odgovara Morella. “Može, to te ja pitam”, kaže Lenor, a kamera snimi Netflixov izbornik u čijoj u ponudi nalazi i film “Geraldova igra” iz 2017. godine. Naime, “Gerald’s Game” je bio prvi Flanaganov projekt za Netflix u kojem su glumili Carla Gugino i Bruce Greenwood, glavni glumci iz “Pada kuće Usher”.

Pozivanje na taj film je simbolično u seriji koja predstavlja posljednji Flanaganov projekt za Netflix prije angažmana za konkurentski Amazon. Između “Gerald’s Game” i “The Fall Of The House Of Usher” Flanagan je snimio četiri serije neravnomjerne kvalitete za Netflix, “Prokletstvo kuće Hill”, “Prokletstvo imanja Bly”, “Ponoćnu misu” i “Ponoćni klub”.

Osim što je u toj sceni zaokružio suradnju s Netflixom, Flanagan kao da je i autorefleksivan kad majka radije odabere film nego seriju, svjestan da je njegova filmska niska (“Ogledalo smrti”, “Prizivanje duhova: Porijeklo zla”, “Somnia”, “Doktor Sleep”) ujednačenija od serijske, što “Pad kuće Usher” samo još više potencira.

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Serija “The Haunting Of Hill House” bila je odlična i nešto ponajbolje što je iznjedrio jedan od vodećih horor filmaša današnjice. “The Haunting Of Bly Manor” je, iako podcijenjen, korak natrag u odnosu na nju, da bi “Midnight Mass” većim dijelom Flanagana vratio u formu, a onda je uslijedilo pokliznuće s “The Midnight Club”.

Nažalost, “The Fall Of The House Of Usher” je drugo uzastopno Flanaganovo razočaranje ako se pita potpisnika ovih redaka. Možda “Pad kuće Usher” nije najgora Flanaganova serija (prije bi to bio “Ponoćni klub”), ali je svakako najrazvučenija i najdosadnija, prenapučena likovima i podzapletima, limunada bez okusa, šušta i gušta.

Razvučenost je bila česta mana prijašnjih Flanaganovih serija, a osmodijelni “The Fall Of The House Of Usher” gubi momentum prije nego što ga je uopće uspio stvoriti i Flanagan je komotno mogao izbaciti barem dvije-tri epizode, od četvrte do šeste, koje prenaprežu 493-minutno trajanje, kao i prošlosni segment priče s flešbekovima na likove u mladim danima (glume ih Zach Gilford, Willa Fitzgerald, Katie Parker, Lulu Wilson...).

Inicijalna ideja je interesantna, postmoderno i reinterpretativno pospojiti mnoga Poeova hororska djela u jednu cjelinu (“Maska crvene smrti”, “Gavran”, “Umorstva u Ulici Morgue”, “Crna mačka”...), s naglaskom na “Pad kuće Usher” kao kičmu osuvremenjene priče o duhovima prošlosti nemilosrdnog vlasnika velike farmaceutske kompanije Rodericka (Greenwood).

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Zgodno je vidjeti da se Gavranovo “Never more” preselilo u poruke na mobitelu ispisane modernim internetskim rječnikom od “nikad više” do “nikad vše, nkadviš, nikdvše, nkdviše”, no horor se ovdje nalazi u tragovima i rijetke scene izazivaju istinsku pozornost, kao recimo sekencija partyja pod maskama koja uključuje prskalice s kiselinom.

Monolog o limunu

“The Fall Of The House Of Usher” više je kvazi-hororski odgovor na obiteljsko-dramsku seriju “Succession” o moći i izdaji, moralno bankrotiranim likovima i društvu, provučenu kroz Poeov rukopis, s Roderickom kao svojevrsnim “usherovskim” Loganom Royem i mnogim likovima u redu za njegovo nasljedstvo.

Zanimljivo, “Nasljeđe” se metafilmski ne spominje, ali spomenuta je serija “Narcos” (“briljantna”). Razlika je što Usheri nisu intrigantni kao Royevi, tj. ova serija ima nezanimljive aktere, uz povremene bljeskove likova u tumačenju Gugino, Marka Hamilla i Katie Siegel. Povremeno bljesne i Flanagan s dijalozima ili monolozima, poput onoga Roderickovog na temu “kad ti život da limune...” kojeg vrijedi prenijeti u cijelosti za kraj teksta.

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Supplied By Lmk/Imago Stock&people/Profimedia/Supplied By Lmk/imago Stock&people/profimedia
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“Prvo, pokrenete multimedijsku kampanju kako biste uvjerili ljude da je limuna nevjerojatno malo, što funkcionira samo ako gomilate limune, kontrolirate opskrbu, a zatim... Medijski udar. Limun je jedini način da kažete ‘Volim te’, nezaobilazan dodatak za zaruke ili godišnjice. Ruže su ‘out’, limuni su ‘in’.

Plakati na kojima piše da se neće seksati s tobom ako nemaš limuna. Ograničeno izdanje limun narukvica, žuti dijamanti zvani limun kapljice. Natjerali ste Apple da svoj novi operativni sustav nazove OS-Lemon. Napučite Kapitol s limun lobistima; natjeraš Kardashianku da sisa krišku limuna na procurjeloj snimci seksa. Timothée Chalamet nosi cipele boje limuna u Cannesu.

Nabavite hashtag kampanju. Nešto nije ‘kul’ ili ‘strašno’. Ne, to je ‘limun’. ‘Jesi li gledao taj film?’, ‘Jesi li išao na taj koncert? Bio je jebeni limun.’ Billie Eilish, ‘OMG, hashtag… limun.’ Dobili ste od dr. Oza da vam preporuči četiri limuna dnevno i dodatak limuna u obliku čepića da se riješite toksina jer nema ništa strašnije od toksina.

Zatim patentirate sjeme. Napišete redak genetskog koda koji čini da limun malo više izgleda kao sise... i dobijete patent gena za sekvencu DNK sisa-limun, dobijete te sjemenke kruže u divljini, a onda tužite farmere za kršenje autorskih prava kada se taj genetski kod pojavi na njihovoj zemlji. Zavalite se, zgrabite milijune, a onda, kad završite i prodate svoj ‘lem-pire’ za nekoliko milijardi dolara, tada, i tek tada, napravite jebenu limunadu.”

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SERIJA: The Fall Of The House Of Usher; horor drama; SAD, 2023. KREATOR: Mike Flanagan ULOGE: Carla Gugino, Bruce Greenwood OCJENA: ** ½

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StoryEditorOCM
Film & TV‘Pad kuće Usher‘

Kad ti život da Poea, napravi limunadu: nova Flanaganova horor serija za Netflix može zaintrigirati, ali i razočarati

Piše Marko Njegić
18. listopada 2023. - 20:01
25867947
PREMIUM
Galerija
Netflix

Ima jedna višestruko zanimljiva “meta” scena u šestoj epizodi nove hororske serije Mikea Flanagana “Pad kuće Usher”/”The Fall Of The House Of Usher”, snimljene prema djelima Edgara Allana Poea i nastale u produkciji Netflixa koji ju je tempirao za premijeru pred Noć vještica.

Lenore Usher (Kyliegh Curran) i njezina majka Morella (Crystal Balint), koja se oporavlja od opeklina iz druge epizode, završavaju gledanje filma. To je je horor “Bunar i klatno” iz 1961., adaptacija Poeove priče s Vincentom Priceom u glavnoj ulozi.

Nikad više

“Dobro, što sad? Još jedan film ili serija?”, pita Lenore. “Film”, odgovara Morella. “Može, to te ja pitam”, kaže Lenor, a kamera snimi Netflixov izbornik u čijoj u ponudi nalazi i film “Geraldova igra” iz 2017. godine. Naime, “Gerald’s G...

#SERIJE#NETFLIX SERIJE#MIKE FLANAGAN#HOROR SERIJE#PAD KUĆE USHER#CARLA GUGINO#EDGAR ALLAN POE#KATIE SIEGEL#MARK HAMILL#LULU WILSON#BRUCE GREENWOOD#WILLA FITZGERALD
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20. svibanj 2024 19:03