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Iz snijegom zametenih planina Slavonije (!) do toplih obala Nila gdje onima koji prežive napade podmuklih ubojica prijeti malarija. Nakon inicijalnog uspjeha 'Ubojstva o Orient Expressu (2017.), Kenneth Branagh redateljski je i glumački preuredio 85 godina star kriminalistički roman Agathe Christie 'Smrt na Nilu' i u drugom pokušaju otkrio tajnu debelog brka slavnog istražitelja, Belgijca Herculea Poirota.

Crno-bijela uvertira

Početne scene filma kroz crno-bijeli prikaz ratišta Prvog svjetskog rata obećavajući su uvod u seriju intriga koje snuju ili ostvaruju za zločin visoko motivirani likovi u plovidbi Rijekom života. Branagh za priču čije je snimanje i premijeru uvelike pokvarila korona ponavlja 'all star' koncept koji su jedni glumci iskoristili bolje, dok su drugi zalutali među piramidama. Prvenstveno se to odnosi na inače kvalitetnu Gal Gadot koja se očito mnogo komotnije osjeća u kostimu Wonder woman, negoli u toaleti dokone bogatašice, kradljivice muževa.

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Kenneth Branagh ponovno je u ulozi istražitelja Herculea Poirota
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Gadot je u ulozi Linnet Ridgeway suspregnuta i na momente nesigurna, gotovo kolebljiva. Ne oduševljava ni Armie Hummer, stvarnim seksualnim skandalima opterećeni Linnetin filmski suprug Simon Doyle, prenaglašen i u tonu i u ekspresiji. Kod Emmy Mackey ima dosta prijetećeg dok utjelovljuje prevarenu zaručnicu Jackie, što je plasira među bolje interprete, gdje spada i Annete Benning kao dominantna mater lika imenom Bouc.

Glumac Tom Bateman trudi se u dvojnoj roli dotičnog portretirati i kao Poirotova prijatelja i delinkventa, no uvjerljivost mu oscilira. Rasna tolerancija promiče se kroz slobodoumne tetu i nećakinju Afroamerikanke , jazz pjevačicu Salome i njezinu nećakinju Rosalie koje ipak ne odmiču daleko od stereotipa.

Lov na monologe

Nakon sitnog razotkrivanja Poirotove romantične prapovijesti, redatelj se posvećuje stilizaciji ostataka drevnog Egipta i duha epohe kakav bilježi pero autorice književnog predloška. Kostimografija mu u tom pogledu dosta pomaže, svakako više od kompjutorski generiranih slika monolitnog Abu Simbela. Mrvicu više živih egipatskih eksterijera sigurno bi koristilo, no njihov izostanak može se pripisati pandemijskim ograničenjima kretanja filmske ekipe. Za nedovoljnu sinkroniziranost glumačkog ansambla, međutim, opravdanja nema.

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Luksuzni parobrod Karnak mjesto je višestrukog ubojstva
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Branagh je bulumentu poznatih lica s malih i velikih ekrana i teatarskih pozornica trebao čvršće držati na okupu i uravnotežiti im nastupe koji povremeno sliče na lov na 5 minuta slave kroz monološku formu. Doraditi je trebalo i središnji dio priče koji se oteže do monotonije, te oskudijeva suspenceom toliko da vam pokvari cijeli rasplet. 'Smrt na Nilu' za Branagha je korak unatrag u odnosu na prethodnika. Poirot sa svojim pronicljivošću i osebujnim životnim navikama jest nosivi lik serijala koji traži stalnu nadogradnju, no zbog toga se ne smije zapostaviti ostatak družine iz svakog od nastavaka.

Gomilanje aktera bez iole razrađenih životopisa kod publike ne izaziva samo dosadu, već i ljubiteljima krimića mrski poklič 'Who cares?'

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Iz snijegom zametenih planina Slavonije (!) do toplih obala Nila gdje onima koji prežive napade podmuklih ubojica prijeti malarija. Nakon inicijalnog uspjeha 'Ubojstva o Orient Expressu (2017.), Kenneth Branagh redateljski je i glumački preuredio 85 godina star kriminalistički roman Agathe Christie 'Smrt na Nilu' i u drugom pokušaju otkrio tajnu debelog brka slavnog istražitelja, Belgijca Herculea Poirota.

Crno-bijela uvertira

Početne scene filma kroz crno-bijeli prikaz ratišta Prvog svjetskog rata obećavajući su uvod u seriju intriga koje snuju ili ostvaruju za zločin visoko motivirani likovi u plovidbi Rijekom života. Branagh za priču čije je snimanje i premijeru uvelike pokvarila korona ponavlja 'all star' koncept koji su jedni glumci iskoristili bolje, dok su drugi zalutali među piramidama. Prvenstveno se to odnosi na inače kvalitetnu Gal Gadot koja se očito mnogo komotnije osjeća u kostimu Wonder woman, negoli u toaleti dokone bogatašice, kradljivice muževa.

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Kenneth Branagh ponovno je u ulozi istražitelja Herculea Poirota
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Gadot je u ulozi Linnet Ridgeway suspregnuta i na momente nesigurna, gotovo kolebljiva. Ne oduševljava ni Armie Hummer, stvarnim seksualnim skandalima opterećeni Linnetin filmski suprug Simon Doyle, prenaglašen i u tonu i u ekspresiji. Kod Emmy Mackey ima dosta prijetećeg dok utjelovljuje prevarenu zaručnicu Jackie, što je plasira među bolje interprete, gdje spada i Annete Benning kao dominantna mater lika imenom Bouc.

Glumac Tom Bateman trudi se u dvojnoj roli dotičnog portretirati i kao Poirotova prijatelja i delinkventa, no uvjerljivost mu oscilira. Rasna tolerancija promiče se kroz slobodoumne tetu i nećakinju Afroamerikanke , jazz pjevačicu Salome i njezinu nećakinju Rosalie koje ipak ne odmiču daleko od stereotipa.

Lov na monologe

Nakon sitnog razotkrivanja Poirotove romantične prapovijesti, redatelj se posvećuje stilizaciji ostataka drevnog Egipta i duha epohe kakav bilježi pero autorice književnog predloška. Kostimografija mu u tom pogledu dosta pomaže, svakako više od kompjutorski generiranih slika monolitnog Abu Simbela. Mrvicu više živih egipatskih eksterijera sigurno bi koristilo, no njihov izostanak može se pripisati pandemijskim ograničenjima kretanja filmske ekipe. Za nedovoljnu sinkroniziranost glumačkog ansambla, međutim, opravdanja nema.

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Luksuzni parobrod Karnak mjesto je višestrukog ubojstva
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Branagh je bulumentu poznatih lica s malih i velikih ekrana i teatarskih pozornica trebao čvršće držati na okupu i uravnotežiti im nastupe koji povremeno sliče na lov na 5 minuta slave kroz monološku formu. Doraditi je trebalo i središnji dio priče koji se oteže do monotonije, te oskudijeva suspenceom toliko da vam pokvari cijeli rasplet. 'Smrt na Nilu' za Branagha je korak unatrag u odnosu na prethodnika. Poirot sa svojim pronicljivošću i osebujnim životnim navikama jest nosivi lik serijala koji traži stalnu nadogradnju, no zbog toga se ne smije zapostaviti ostatak družine iz svakog od nastavaka.

Gomilanje aktera bez iole razrađenih životopisa kod publike ne izaziva samo dosadu, već i ljubiteljima krimića mrski poklič 'Who cares?'

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Izraelka Gal Gadot predvodi zvjezdanu postaju 'Smrti na Nilu'

Kenneth Branagh ponovno je u ulozi istražitelja Herculea Poirota

Luksuzni parobrod Karnak mjesto je višestrukog ubojstva
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ZabavaFILM TJEDNA

‘Smrt na Nilu‘ otkriva tajnu Poirotova brka, ali Branaghova mnogoljudna ‘all star‘ ekipa prečesto pluta na vodi

Piše Gabrijela Bijelić
21. veljače 2022. - 15:45
Izraelka Gal Gadot predvodi zvjezdanu postaju 'Smrti na Nilu'
Galerija
Izraelka Gal Gadot predvodi zvjezdanu postaju 'Smrti na Nilu'

Iz snijegom zametenih planina Slavonije (!) do toplih obala Nila gdje onima koji prežive napade podmuklih ubojica prijeti malarija. Nakon inicijalnog uspjeha 'Ubojstva o Orient Expressu (2017.), Kenneth Branagh redateljski je i glumački preuredio 85 godina star kriminalistički roman Agathe Christie 'Smrt na Nilu' i u drugom pokušaju otkrio tajnu debelog brka slavnog istražitelja, Belgijca Herculea Poirota.

Crno-bijela uvertira

Početne scene filma kroz crno-bijeli prikaz ratišta Prvog svjetskog rata obećavajući su uvod u seriju intriga koje snuju ili ostvaruju za zločin visoko motivirani likovi u plovidbi Rijekom života. Branagh za priču čije je snimanje i premijeru uvelike pokvarila korona ponavlja 'all star' koncept koji su jedni glumci iskoristili bolje, dok su drugi zalutali među piramidama. Prvenstveno se to odnosi na inače kvalitetnu Gal Gadot koja se očito mnogo komotnije osjeća u kostimu Wonder woman, negoli u toaleti dokone bogatašice, kradljivice muževa.

image
Kenneth Branagh ponovno je u ulozi istražitelja Herculea Poirota

Gadot je u ulozi Linnet Ridgeway suspregnuta i na momente nesigurna, gotovo kolebljiva. Ne oduševljava ni Armie Hummer, stvarnim seksualnim skandalima opterećeni Linnetin filmski suprug Simon Doyle, prenaglašen i u tonu i u ekspresiji. Kod Emmy Mackey ima dosta prijetećeg dok utjelovljuje prevarenu zaručnicu Jackie, što je plasira među bolje interprete, gdje spada i Annete Benning kao dominantna mater lika imenom Bouc.

Glumac Tom Bateman trudi se u dvojnoj roli dotičnog portretirati i kao Poirotova prijatelja i delinkventa, no uvjerljivost mu oscilira. Rasna tolerancija promiče se kroz slobodoumne tetu i nećakinju Afroamerikanke , jazz pjevačicu Salome i njezinu nećakinju Rosalie koje ipak ne odmiču daleko od stereotipa.

Lov na monologe

Nakon sitnog razotkrivanja Poirotove romantične prapovijesti, redatelj se posvećuje stilizaciji ostataka drevnog Egipta i duha epohe kakav bilježi pero autorice književnog predloška. Kostimografija mu u tom pogledu dosta pomaže, svakako više od kompjutorski generiranih slika monolitnog Abu Simbela. Mrvicu više živih egipatskih eksterijera sigurno bi koristilo, no njihov izostanak može se pripisati pandemijskim ograničenjima kretanja filmske ekipe. Za nedovoljnu sinkroniziranost glumačkog ansambla, međutim, opravdanja nema.

image
Luksuzni parobrod Karnak mjesto je višestrukog ubojstva

Branagh je bulumentu poznatih lica s malih i velikih ekrana i teatarskih pozornica trebao čvršće držati na okupu i uravnotežiti im nastupe koji povremeno sliče na lov na 5 minuta slave kroz monološku formu. Doraditi je trebalo i središnji dio priče koji se oteže do monotonije, te oskudijeva suspenceom toliko da vam pokvari cijeli rasplet. 'Smrt na Nilu' za Branagha je korak unatrag u odnosu na prethodnika. Poirot sa svojim pronicljivošću i osebujnim životnim navikama jest nosivi lik serijala koji traži stalnu nadogradnju, no zbog toga se ne smije zapostaviti ostatak družine iz svakog od nastavaka.

Gomilanje aktera bez iole razrađenih životopisa kod publike ne izaziva samo dosadu, već i ljubiteljima krimića mrski poklič 'Who cares?'

#SMRT NA NILU#FILM TJEDNA#KINEMATOGRAFI DUBROVNIK
14. svibanj 2024 10:07